Showing posts with label Reviews .... Show all posts
Showing posts with label Reviews .... Show all posts

Sunday, 5 May 2013

Momentum ... Goals ... Momentum ... Goals

Check out David Wallace Fleming  - Indie Literary - Interesting thoughts on technology and relationships, quirky quotes, interviews and more ...

Without goals, would we just stand still and quack quietly?

David Wallace Fleming is writer of self-termed, technical satire and author of many digital books including Not From Concentrate, Modern Manhood, and the social media novel Growing Up Wired.


http://davidwallacefleming.com/2013/03/13/the-audacity-of-momentum/#more-2904


Posted on March 13, 2013
Why do people stop themselves once they’ve got something started? Why do people stop short of achieving a goal, again and again?
Sure, part of the problem is the fear of the unknown but the other problem is a lack of setting goals. If a person isn’t moving toward a goal, then they’re just moving out into the unknown abyss of space. That’s scary stuff. 
Another cool thing about momentum is that it seems to be fairly scalar. If one keeps doing the same thing everyday, there’s no telling where one will end up.
A lot of times when people casually talk about momentum I think what they might really be referring to is inertia or the tendency of things to stay in  a given state of motion. If you ask people why things tend to stay in a given state of motion no one can really give you a straight answer. It’s one of those mysteries that we’re not really supposed to think about or ask questions about. What is inertia? What is mass? Why does mass have the properties that it has and why do those properties behave the way that they behave?
If a duck wakes up every morning and says, “quack,” then we might say that that duck had a certain inertia to keep waking up in the morning and saying “quack,” even if prior quacks weren’t all they were quacked up to be. We might say that said duck had a certain quack-inertia to its character.
Now, IF a second duck awoke each morning and quacked just a little bit louder than our first duck, then this second duck might also have a distinct and slightly greater quack-inertia. Now what’s gonna happen when these two ducks meet? The second duck is going to out-quack the first! This second duck is going to have a greater quack-momentum. This second duck will be a victorious duck and will be invited to all the best duck-parties.
Inertia is a scalar quantity of a system that describes that systems stubbornness. Momentum, on the other quack, is best for describing who or what will win when two systems come into conflict.
So, maybe this is the second secret to the audacity of momentum: not only do we have to set goals, but we have to become more competitive to prepare for eventual conflicts with our competitors.


Saturday, 23 March 2013

Happy Days Happiness

Wednesday was the 1st International Day of Happiness ~ Sorry my felicitations are late!

Thursday, 21 March 2013

Interview ~ Gillian Hesketh by Rebeccah Giltrow

Thanks Rebeccah for making the interview so easy to do.
See more interviews, Rebecca's ideas and work at http://rebeccahgiltrow.blogspot.co.uk


Writer - Gillian Hesketh

I'd like to welcome you to my interview with writer, Gillian Hesketh.  Enjoy.

Gillian Hesketh


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Hello Gillian, can you please introduce yourself?
Hello Rebeccah, I am Gillian Hesketh and I am based in Lancashire, close to the historic market town of Poulton-le-Fylde - and ten minutes from the lively seaside resort, Blackpool.
How long have you been writing?
I feel as though I’ve always been writing - as if I’ve been learning a trade in my spare time - but I’ve been writing more seriously over the past eight years.
What first got you interested in writing?
I’ve always jotted bits and pieces down, snippets of poetry, motivating quotations but I got hooked during my degrees. One of my major studies was on triggering memory to access emotion through past experience. Using the photograph as a starting point, I began writing and haven’t stopped since.   
Were you a prolific reader as many writers seem to be?
Right from the start, I found reading unbelievably difficult, often having to read something two or three times - which can become quite exhausting. Over the years, I’ve come to realise I must have some dyslexic traits.
So, has the writing been easier for you?
I love writing and as writer’s know, it’s often a long process. I’ve always had a love of language, the shapes, the effect, even from a very young age. 
Do you attend a writing group?
I have enjoyed a variety of writing groups, writerly meetings, literature festivals all of which never cease to inspire me. I am a member of SCBWI - Society of British Children’s Writers & Illustrators - a wonderful organisation and a local Mastermind Writers Group formed by a colleague and friend of mine, Kim Chamberlain.
What genre(s)/types of things do you write? 
In my filing cabinet are the makings of three contemporary novels for the female market, a draw full with poetry and a hoard of children’s stories all waiting to burst out one day.
What drew you to this/these genre(s)?
Socially, I am a teller of stories, usually about funny or strange situations I’ve found myself in. I’m also fascinated by body language [93% of language is body language] and the balance of power and control in relationships - so I suppose all these come together in my women’s fiction.
What are you working on at the moment?
My interactive resources is the most enjoyable writing task I have ever undertaken so far - and the reason why my fiction is in the filing cabinet. Designing, writing and developing creative colourful, themed resources to help children, young people and adults identify, express and communicate any difficulties they may be experiencing is a very rewarding task. Bringing broader information to the forefront sooner may enable earlier support to aid positive choices and improve well-being. I have just completed Happy Days range of interactive activities, ‘My Personal Memory Jogger’, Memory Boxes, Sorting Boxes and Memory Prompts for people with dementia, their families, friends and carers - in residential care or at home. More information and shop at: www.happydayspublishing.co.uk
Have you ever had anything published?
Yes, I’ve had poetry and short stories published, really as a showcase. I do have an inexpensive short story on Amazon: ‘Summer Indulgence’-50% of proceeds raised will go to a nominated charity, the rest towards promoting Happy Days Interactive Resources to aid well-being: http://www.amazon.co.uk/Summer-Indulgence-ebook/dp/B005LA1CKG
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Have you sent your writing to agents/publishers?  Have you received any rejections?
Yes, I have submitted various pieces of writing to agents and publishers. Yes I’ve definitely had rejection slips, some thumbed through scripts which felt promising and positive feedback too - but what I’m writing at the moment is much more fulfilling.
Would you consider self-publishing/e-publishing?
I would definitely consider self-publishing and e-publishing - but self-publishing also involves self-editing and massive marketing strategies. I’m considering e-publication of ‘My Memory Jogger’ and in the process of developing an ipad app for people living with dementia their family, friends and carers.
Are you interested in eBooks, or do you prefer the old fashioned paper-made books?
I love the idea that we can have our cake and eat it - paper-backs and/or digital technology to access all genres through an assortment of media. I am a champion of the paper-back though I have to admit, I love my kindle, mostly because it’s lightweight.
Who/what influences your writing?  Where do you get your inspiration from?
People, places, situations, contemporary social and emotional issues, colour, metaphor, language change ... My list is endless. I am a prolific note-maker.
What is your writing routine?  Do you write daily or just when you feel like it?  Is there a certain time of day where you are at your most creative?
I’m not sure I should admit to my current writing routine as it takes up all day and most of the night. Trying to get to bed before midnight is a constant battle. I should take my own advice: take a break, meet friends, chill out ...
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Do you have an editing process?  Do you have someone else read over your work?  Do you read your work aloud to yourself in front of the mirror?
I edit, then my little helper edits. Then I edit again, then my little helper edits again. We aim for perfection, but there’s always a sneaky comma in the wrong place or threee letters where there should only be two.
What is your writing environment like? 
So long as I have battery life in my laptop, luckily, I can now write in any place at any time with or without noise, music and interruption.
How important is it for you to share your writing?
It’s paramount for me to be able to share my resources to bring about early intervention and early support for children, young people and families. As we’ll be living longer,  we’ll need need activity and interaction to help us maintain skills, movement and a sense of purpose, so it’s important for me to share the activities I’ve developed with carers and care coordinators.
What is the most valuable piece of advice you’ve been given with regards to writing?
Focus. Don’t give up. 
What advice could you give to a new writer?
Network. Immerse yourself in writing groups, courses or literary festivals. Find like-minded people. Set up a writing support group. Entering competitions helps you to edit your work to a format. Arrange to have something published in a local newspaper or magazine to try out your own voice - then nurture it. Focus. Don’t give up.
Would you rather write a masterpiece and only sell a handful of copies, or produce a badly written book and sell millions?
I would of course, like to sell my resources to millions and globally at the highest standard I can achieve. Who wouldn’t? I have many titles to work on and far too much spare energy. So maybe, when I’ve published every interactive resource I can think of, I’ll return to my novels and the children’s stories which happen to include: Ramper Pot Adventures, Scrambled Egg Pet and Stick People Have Feelings Too. [Just in case an agent or publisher happens to be reading this]
Apart from writing, what are your other hobbies/interests?
I am lucky as I live close to a riverside path and a few minutes from the beach. I have little time for hobbies at the moment but I always make time to be part of a community choir. The only outdoor activity I am capable of is snow skiing.
If you could have written anything, what do you wish that could have been?
I have random and completely unrelated answers for this: Bridget Jones’s Diary by Helen Fielding, Top Girls by Caryl Churchill, Noddy, in fact anything Enid Blyton, all of the Roald Dahl collection, Catch 22, Joseph Heller ... another list.
Do you judge books by their covers?  How important is cover art to you as a reader and a writer?
I think the cover is one of the most important things to hook your reader. If the cover isn’t right for your particular audience, your potential customer will pass by it.
Would you like to see any of your work on the big screen?
Wow - who wouldn’t? I’ve written a play, ‘There’s No Fat in Champagne’ and would love to see that performed on stage - or maybe on the big screen.
Where can we find you on the internet?
I am Gillian Hesketh.  Please contact me for information on resources, products, submissions, visits: 
You can find me at and contact details at: website: www.happydayspublishing.co.uk 
Would you be able to provide a short piece of your work? 
As a break-away from my interactive resources, here’s a fragment from one of my novels, ‘Consequences’
~ Prologue: Unruffled by the silhouettes of vacated city life, the woman glanced blankly in both directions and crossed the road. A half open gate lured her into a grassy quadrant, its miniature gardens neatly divided by cobble-stoned paths and surrounded by gold-tipped railings. She felt safe there. An oasis in a concrete desert.  The woman perched on the edge of a bench, its wood velvety from the damp night air. `To my darling husband ~ My best friend`, its brass plaque read. Nearby, a tree trunk, horizontal, smoothly planed and polished, glinted in the dim light, reminding her of some giant jewel in a children’s fantasy story. `Cherish Our Brave Daughter, Charlie 1978 ~ 1989` the dedication read. Eleven years old. She considered the garden, her eyes sweeping from one nurtured corner to the next and back again. In a perfect harmony, nature had softened the disciplined lines into a leafy haven, its mystic charm trying with all its might to console the woman. Maybe some people did care. She stifled the thought. Unravelling the photograph and examining the creased up image, a swelling was forming uncomfortably in her throat. The woman’s lips parted as if to speak and slowly closed again and as if responding to the urgency of a mobile phone, she rummaged in her pocket, pulled out a folded handkerchief embroidered with her initial and dabbed repeatedly at her nose. What would her words be?
Gillian Hesketh © 2011
Thank you very much Gillian.

Saturday, 13 August 2011

I Just Love this Bookshop ...

I do love this bookshop ...

You don't get overheated.

[Waterstones]

You don't get pushed about.

[WH Smith]

You don't feel rushed.

[Airport]

You're not overloaded with lights and titles.

[Sorry Borders, are you still there?]

Your eyes don't throb in their sockets.

[Amazon]

You can take your time browsing, make a stress-free choice; best-sellers, events, writing workshops, book groups.

The only problem might be travel. It is, of course, in London.

Shop online ... http://www.bricklanebookshop.com/

Gillian

Monday, 8 August 2011

Book Shelves that don't take up floor space ...

Save floor space, try  http://www.shelfari.com/  [An Amazony thing]

Choose your books, add or edit information [more procrastination] - I've read it / I want to read it / review it / star it / and add the book to your shelf [Choose from a range of colours - the possibilities aren't endless, there are 4 to choose from - or just let Shelfari choose it for you]. Put the shelf on your blog or wherever you wish [not your carpet] and add info when you like. Click on the book for a resume. You can interact with other Shelfari users, read their reviews etc.

*Warning ... Can be seriously time consuming.

Gillian

Thursday, 4 August 2011

Mslexia : For Women : Who Write ...

Packed with articles on How to Write, Why Write, Writers' Block, Rhyme, Rants and / or Raves, Features, Guest Authors, Short Stories, Competitons, Directory, Your Letters [even one of mine!], Interviews, Advice ... is that enough? No? Well there's more: New Writing, Books, Tweets, Guest Blogger, Inspiration, Masterclass Writing retreat advertisements, Publishing contacts, Monologues, Portraits, Poetry, Submission details ... Just like Eddie Izzard's re-cycling campaign, the choices are endless.
  
I've subscribed To Mslexia [4 publications per year] more on than off over the years and have to say the flow of ideas in each new magazine is always refreshing and motivational. A bargain at £24 [ish] per annum.

Enjoy,
Gillian

Eating Fire ...


Whilst searching for 'something specific' on the internet and finding 'something' else, clicking here and scrolling there, I came across 'Shelfari' - via via Amazon - you can see my starter collection of books on the right - yet another fun but time consuming activity to get involved with when practising procrastination, I found [crikey this is a long sentence] this on my bookshelf ... obviously it wasn't lost in the first place but I had completely forgotten about it: [not finished yet ~ very Marcel Proust] Margaret Atwood's 'Eating Fire', poetry which, according to Michele Roberts, 'sings off the page and stings.' Phew! Not for the faint hearted, Margaret Atwood, Canadian's most eminent novelist and poet, who is also the author of 'Blind Assassin' [booker prize winner 2000], offers 368 pages of elegantly pressented, powerful, imaginative, detached, symbolic, ironic, daring, thought provoking poems which she published between 1965 and 1075.  Beat that!

Well worth dibbing into.

Gillian

Wednesday, 13 July 2011

The Corrections


Just having a read of Jonathan Franzen's, 'The Corrections.'

Not reached page 100 and loving it. Every page, paragraph, line, phrase, word, Sooo well observed and written. The only problem now ... it's around 600 plus pages long and quite heavy.

Also on my reading list for the next two weeks:
Kazuo Ishiguro ~ 'The Remains of the Day'
Jeffery Archer ~ 'Only Time Will Tell'

[I've managed to upload/download or is it download/upload them to my iphone ~ and feeling rather smug about it ! ]

Gillian

Sunday, 12 June 2011

Easy-read Ideas and Tips, Tips, Tips ...

Give this a whirl ...

http://www2.eng.cam.ac.uk/~tpl/texts/sendingoff/

Tim Love shares motivating tips and ideas for wannabe writers that aren't going to take up most of your day.

Gillian

Monday, 30 May 2011

General Stuff ... & Other People's Money ...


Everytime I find a space in my calendar, I intend to attend a lit fest. Everytime I try to do this, either; its winter and festivals are few and far between [if at all] or I need to climb aboard four trains and a bus to get to the festival. Okay, I could drive but I seem to have developed sleep apnea [yes, at first, I thought that was a joke word too], much like 'toping', 'knout', 'crepuscular' and 'farinaceous', words from 'One Day' by David Nicholls and Justin Cartwright's recent novel, 'Other People's Money', which I feel almost ashamed to admit, I had to look them up in a dictionary [Ooooh ~ how utterly dreadful]. However, Justin Cartwright's novel about banking dynasties, class, family secrets, a mild thriller with gentle satire played out in a rich man's playground is a really great read once you've passed the first few pages on talk of hedge funds, sub-primes and the like. 'Justin Cartwright manipulates our sympathies with masterly ease, unwinding the story with gentle satire, and, as ever, acute and beautifully phrased insights into the eccentricities and weaknesses of the human condition.' Clearly the words of a Waterstones review. Try it. Because you're worth it. By the way, it cost £12.99 at the airport - so order before you go on holiday.

Published 07/03/2011
Publisher Bloomsbury Publishing PLC
ISBN 9781408814130

Gillian

Saturday, 30 April 2011

One Day

Just reading One Day by David Nocholls, writer of Cold Feet amongst other acolades.
We're taken on Emmas and Dexter's journey after university as they struggle to form normal [ not going into what is or isn't normal here ] relationships with or without each other.

No groundbreaking theories [thank goodness] - easy to read with a great sense of wit.

Almost finished it so can't tell you about the ending - not that you'd want to know of course.

Gillian

Thursday, 28 April 2011

Feedback for Writers ...


There are some great sites out there for writers to have their work read and receive feedback. Usually, the plan is mutual. In order to receive feedback, you must critique someone else's work first. Fair enough. The other option is to pay.

I am intending to set up a local group ~ for writers to offer feedback. No tests or exercises. Just read each other's stuff and offer positive criticism [and maybe a teeny-weeny bit of negative criticism - if necessary].

For a limited period, I am happy to offer some feedback for free ~ and you don't have to read anything of mine ! That's lucky I hear you breathe.

Just so you know, I did receive a BA Hons English Literature / Language / Creative Writing and Master of Arts in Creative Writing.

Email me your 'stuff' to gmhesketh@googlemail.com
Poetry, Short Stories, Novel ... the choices are endless ~ but please, only around 5 pages.

See you later,
Gillian

Friday, 18 March 2011

Want to Influence and Persuade?

Read Robert Cialdini's book Influence: The Psychology of Persuasion (Kindle edition) http://amzn.to/feqYnI

Saturday, 12 March 2011

Thinking about Publishing ? Think again ...


Trying to Find a Publisher ?

It’s no wonder writers self-publish. Creating that feisty query letter to market your product, constructing that agent-or-publisher-specific two page self-promotion [would that be single of double lined?], forming the exact length synopsis and selecting the correct number of chapters requested - make that suggested; correlating [without clips or staples] the package to include self-addressed envelope, and making the trip to the Post Office with the large extra-strength envelope via the local car park ticket dispenser – cheapest rate £2.30.


Having said all of that, I continue to go through the process. Unless of course, I can email – How easy is that? I find email rejections easier to swallow. A curt one-point-five lines of text informing me that ‘their’ client list is full, doesn’t seem to hurt quite as much as the envelope opening ceremony; the bold font on quality paper response I was preparing myself for.

Yes, I do spare more than a fleeting thought for the people on the receiving end of my precious package. I try to make their job as simple as possible by responding to their Specific Submission Guidelines exactly as per their Specific Submission Guidelines. And that’s why I’ve added award winning writer and poet, Andrew Oldham’s enlightening and entertaining discussion [permission granted - thank you Andrew (first name email terms already)] to my blog. I would have been more surprised if he’d said no, due to the nature of his discussion ~ from the publisher/agent’s pov.

Over to you Andrew, http://www.andrewoldham.co.uk/

CHANGING TIMES, HIDDEN PROBLEMS, ANDREW OLDHAM DISCUSSES CONTEMPORARY ISSUES ON GETTING PUBLISHED.

I have just had my first poetry collection published, Ghosts of a Low Moon (Lapwing, Belfast 2010). The journey of getting it published started nearly three years ago. It took me some time to get a collection together, for over eight years I have been published in magazines, anthologies and online zines. I am not a prolific poet. My poetry output sits side by side with my fiction writing. I do not call myself a poet as I write around fifty poems a year; most never get out of my notebook because when I rewrite they do not get through my editorial process. That is my choice. I am a writer who writes poetry. I am not idle though. I am actively involved in the publishing world. I am a writer. I am a reader. I love books. I promote reading. I have been a publisher. I have been an editor. I have seen the grass on the other side of the fence. I have run my fair share of workshops across the UK and there is one question that always comes up. How do you get published?

I have answered this at festivals, events and in libraries across the UK. Fifteen years ago there was a straight-ish answer; submit your work to an editor and take your chances like everyone else. It is no longer that straight-ish. An explosion of multimedia platforms including the web means it has become a minefield. There are hardcopy publication rights, e-publication rights, region first rights and copyright. What is law in the UK may not be a law in the States or India. This makes getting published outside of the UK liberating, it widens your audience by a few hundred or a few thousand. The web though does not deal in hundreds and thousands, it deals in millions.

The web has no walls, no distribution problems, no lost books in transit and in a few cases, no qualms about breaking UK copyright laws. It does not care that an entire industry devoted to the world of poetry, short fiction and fiction needs these laws in place. The industry is not just publishers; it is promoters, printers, editors, writers, poets, designers and most importantly, readers. The web has liberated the reader and I applaud that. It has yet to liberate those who want to write poetry. We have an imbalance between those who write poetry and those who are willing to pay to read it.

There are many wannabe poets, I use this term for any poet who has never been published or who has never read a poetry collection. They often write secretly at work, on the bus, in a traffic jam, in their new bathroom, new kitchen and newly decorated study, they wait for the all empowering muse. They inevitably write about cats. They always attack the poem with a chainsaw, hammer or crowbar, wedging in the obvious rhyme, the tired metaphor, the bucket load of derivatives. Poetry is not alone in this, fiction gets it too, except poetry is always seen as more easy, less time, quicker to churn out because it rhymes. In my UK workshops, on UK discussions panels I have heard people declare thus proudly. Last year in a festival audience, a man stood up said this and then boasted that he could write a collection in one afternoon, in his shed (I don’t know what the relevance of the shed was and it still haunts me). He went on to tell five hundred people in the audience that poetry did not take much thinking about. He did not want a publisher because no one reads and instead he posted his magnum opus (his words) to his Facebook profile. His family loved his poetry, especially his cat (again this image haunts me and I have been tempted to phone the RSPCA about the abuse of cats with bad poetry). This event was cut through by a fire engine klaxon in the distance; a fire had taken hold in a boarded up old bookshop in town.

Why does poetry get this? What is the reason? Are these the times in which we will see actual reading become niche?

I grew up with people wondering why I read, it was a common question at bus stops, in class and one time, in a library. The answer is simple because I wanted to write. I did not know that then but Blake, Herbert and Hughes did me a favour, the act of reading widened my horizon.
It is sad that some people want to write but do not want to read. This lack of reading has two effects on publishing, it clogs up the editorial process, unwanted poetry, bad poetry, bad wannabe poets, send some fine poets, some fine publishers to a slow, strangling death. Then the same lack of reading translates into poor sales. Some voices blame the publisher, mud is slung, arguments rage, accusations of poor promotion flit back and forth in emails, letters and phone calls.

Here is the simple truth, the hidden fact that many publishers do not tell you, whatever the book cost to produce, promotion will cost three times more. This is often unpaid work, many publishers, promoters, poets and writers are happy to do this. Not because they are noble, not because they want to be famous but for the simple reason that they are part of an industry that reads, that writes, that reads. Reading matters. That’s it. If you don’t read, don’t plan to read, then leave, there is the door, take your manuscript with you. Publishers need readers. Poets need readers. Poets are readers. Publishers are readers. Save their time, save their money, save them from the crap your family likes. This industry is not your family.

Times change though and in my round of publishers, clutching my correctly formatted ms and enclosed sae, brief bio and publishing history, I discovered a hidden problem. Though many fine poets submit each year, only a few get published because editors have discovered a growing problem, the slush pile is now a mountain. Commitments to that were draining some editors dry. One editor had married his slush mountain so he could divorce her; with the short term view that at least fifty percent of it would go with her when she left.

A common problem amongst this journey was how so few submissions adhered to the publishers guidelines. How many came with no return address. One publisher told me he had received a collection which had no name, no title (to any of the poems), no contact, no bio but still received a phone call six months later demanding it back. This lack of attention to detail is costing publishers time and money. For some reason, some wannabe poets think publishers are rich or beneath them.

One publisher told me that in one year he had received a worrying amount of submissions with covering letters stating that the new poet would deign to let them publish their first collection. They were immediately rejected. Who want to work with anyone who deigns?
A common problem was the waiting list for publication, this ranged from three to a whopping seven years. Many publishers wondered why some poets thought submitting a first collection with no track record, no awards and no history in the industry was a good thing. This brings us back to the man at the festival who had indeed submitted one of his earlier collections to several publishers who rejected him for not having a history of publication in magazines, to which he stated, No one seriously reads magazines.

Poetry has won the Costa two years on the run, it is part of daily lives, music was born of poetry and poetry has been born of music. As a nation we do not read enough, television is not to blame, computer games are not to blame, sex is not to blame. The responsibility lies in all of us to pick up a book, walk to the library, go to a bookshop, ask a friend to recommend a book, to get out of our comfort zone.

I was lucky to get published. I do not take it for granted that this will make getting my second collection published easier. It just prepares me for the minefield that getting published has become. I sympathise with anyone serious about being published who reads, and I mean really reads and not as I heard from a creative writing student who professed to be a poet, I’m only buying this poetry collection because we have to; I mean who pays for poetry? All that white space is such a waste.

If you choose to not read then all there will be left is white space, no reading equals no writing, no publishing and no chance of publication. So, please for the sake of publishers, writers, poet and libraries put down your pen and read, widen your horizons a little bit more.
Andrew Oldham has been a columnist for The London Magazine. His fiction has featured in The Sunday Times and his first poetry collection, Ghosts of a Low Moon (Lapwing, Belfast 2010), is available at www.andrewoldham.co.uk and the collection will be reviewed on the LWH website next week.

Andrew is an award-winning writer, and is doing a virtual book tour between February and May 2011. See his website for details of his virtual book tour www.andrewoldham.co.uk

ANDREW OLDHAM will be headlining WORD SOUP in July with IAN PARKS, one of the Poetry Society New Poets in 1996, a WORD SOUP live literature night special not to be missed!
Word Soup – Thursday 28th July 2011 at The Continental, South Meadow Lane, Preston PR1 8JP.

Well, you can't really disagree with that ... Can you?

It just seems you have to be famous already - otherwise, no-one wants to take a financial risk. I can understand that. And that's why I nearly ordered a skip and emptied the contents of my study into it ... including desks, lap-top. And just when I was about to pick the phone up ... lo and behold, a simple email from a publisher ... send more chapters !!

Gillian

Thursday, 3 March 2011

King Crow by Michael Stewart ...


So, later that night, when all in my household had eaten their supper and fallen into one of two categories ... dozing on the sofa or showering for an night out, I slipped out to the library - yet again. To tell you the truth, it was a different library to my earlier 'Author Visit' and I consider myself very lucky to have three libraries reasonably close [although I have to admit, I wouldn't like to walk to any of them].

I arrived early - something of a rarity, and finished a few emails in the car whilst waiting for he alloted time. I entered the library with three minutes to spare and typically for me, everyone had begun; the audience glued to the speaker, the speaker, presenting his work. Pink-cheeked apologies later, I slipped into the back row. The truth stared at me from the hand-out. 'Award Winning Author, Michael Stewart: 7.15p.m.' I was clearly fourteen minutes late.

Fortunately, Michael stopped, said 'Hello' and blended back into his story, making me feel totally at ease. With the same ease, he read, explained and discussed his novel, his characters, publication and personal background with an interest and warmth that was captivating in itself.

The novel? Oh yes, that sounds really interesting too. I haven't read it yet because I wanted to listen first, then read, for a change. So I've typed out the blurb for you and here it is :~
'Ashley is everything Cooper isn't, he's tough and good looking, with so much street cred he can divvy some up for Paul as well. When they get into trouble with a local gang, they steal a car and head for the Lakes - Ashley because he thinks he may have killed somebody and Cooper because he wants to seee ravens. Their fight is hectic and intense, and in the middle of it all one of them meets a girl and the other feels pushed out. The three of them find refuge for a time in Helvellyn, but things ar falling apart and soon their road trip makes national headlines ... for all wrong reasons.'

'Michael Stewart is a fascinating new voice, and King Crow is a fine debut novel. Part action thriller, part psychological drama, part birding manual, I've come across nothing quite like it. It's a fantastic example of modern fiction at its innovative best.'
Melvin Burgess

Go to: www. michael-stewart.org.uk
Can't wait to read it.

Gillian

If Only I Could Talk ...


If Only I Could TALK by Tony Lewis:

I've had a busy day, collecting 50 books for World Book Day/Night and giving them out to people. I had the opportunity to attend two author visits; afternoon - listening to famous author, Tony Lewis talk about his debut novel, If Only I Could Talk: A Canine Adventure and later, an award winning author, Michael Stewart [more on next blog - we don't want any fall-outs]

Tony Lewis, born in Cumbria, oh God I wish I'd listened, did he say born or lives ... ? I think he said born, so we'll go with that. The general gist is that he plans, writes and tours walkers in France for most of the year. He obviously loves the outdoors and ... dogs ~ hence the novel.

Lewis portrays the inimitable friendships between fellow dogs and their two-legged companions. We see things through a dog's eyes and feel the engrained effect the dog has on three separate families. Lewis's book explores the delicate and remarkable bond which is formed between an autisitic child and one special dog.

If Only I Could Talk comes with a warning direct from the author at the library reading: The first chapter is a tear-jerker. After that, a tale of Three Families ... Two Worlds ... One Dog and a happy ending, well almost.

'Emotional and touching ... a story told from the heart, with great love and compassion for animals ... They do talk ... it's just that we can't understand them.'
Sheila Belshaw, author of Fly with a Miracle.

'An amazing story of two brave dogs ... very funny as well as emotionally satisfying.' Gerry McCullough. N.Ireland.

Order online at http://www.troubadour.co.uk/ or http://www.ifonlyicouldtalk.co.uk/

Gillian

Monday, 13 December 2010

I want to finish reading it ... honest I do ...

I took it on holiday. I took it in the lounge with me during recouperation. I've taken it to bed with me on many occasions ... but I still haven't managed to finish Last Night at Chateau Marmont by Lauren Weisberger. In fact, I'm only up to page 95 ! Granted, nothing much has happened yet, other than a small record deal and a meal with 'in-laws' so the question is ... Do I continue with it? Should I force myself? Is it because I already think I know what the ending would be? I can already see it as a Rom Com movie, apologies for English readers ~ I mean, film of the 'Devil Wears Prada' sort? Would it be rude not to finish it and move on to Anton Chekhov's Short Stories [selected and edited by Ralph E. Matlaw]

Your comments please ...
Decisions Decisions ...
Gillian

Friday, 20 August 2010

The secret lives of people in love ~ Simon Van Booy

The secret lives of people in love by Simon Van Booy, has been my read for the week.

Hmm ... What can I say? Van Booy's stories have lulled me into a calmness that makes me not want to bellow out words of enjoyment or disapproval. Not that I disapprove. Van Booy's mystic aura and poetic narratives make you feel as though you’ve been transported to another place, to a soundless island where loneliness abounds. A place steeped in sadness and loss where no-one ever wants to be.

You might think this doom and gloom read is not for you. Van Booy's stories drape the sense of losing someone around your shoulders. Motherless youths, drowning sailors and redundant parents place you in the depths of lost relationships. Simon singles out the loneliest people on the planet and peers into their lives through a magnifying glass. The only sense of relief is knowing you haven’t had to endure the life Van Booy's characters have suffered.

Unlike some short story writers and a fashion that enjoys leaving the reader in the lurch at the end of the tale, Simon often gives some indication of resolution and for this, I thank him. I don't always have time to think too long about what might have happened.

Some of his expressions are so fresh and crisp or so lavishly intense, that I found myself re-reading them just for the pleasure. The calming narrative will make you want to celebrate life and people. Give it a go. It can only help you breathe life more passionately.

Gillian

Monday, 2 August 2010

Review and Get Reviewed ...

Hello writers try this:

You Write On: http://www.youwriteon.com/

I joined youwriteon some months ago and have reviewed a number of short stories and excerpts from novels and received reviews of mine in return.

The responses were honest, constructive and motivating.
You also have the chance to see how fellow writers are structuring their work.

'YouWriteOn began in 2006 to assist new writers to develop their writing. Editors for leading publishers such as Random House and Orion review our highest rated writers each month.

YouWriteOn's premise is simple: members upload opening chapters or short stories and the YouWriteOn system randomly assigns these to another member to review. You then review another member's story excerpt ... each time you want to receive a new review back in return. After 5 reviews a story enters our chart system - the highest rated writers receive free feedback each month from editors for leading publishers Orion and Random House.'

See my Links to click onto youwriteon.

Gillian